See a hairstyle before the haircut


Existing demo images. A styling simulation, not a prediction. The report includes 6 optional AI renders; each is generated on request.
A heart-shaped face is wide at the forehead and narrow at the jaw, and glasses sit right at the border between the two. The frame's job is to keep its weight low: light at the brow, fuller below, so the eye reads the lower half of the face as having more to it. Here is what that means in frames, for women and for men.
Face length divided by cheekbone width sits around 1.50. Forehead width over cheekbone width is about 0.96: the forehead is nearly as wide as the cheekbones, against 0.88 for oval. Jaw width over cheekbone width is about 0.76, narrower than oval's 0.80, and the chin often comes to a point. The outline is widest at the top and narrows steadily to the chin.
Glasses sit just below the widest part of this face. A frame that is heavy or wide at the top stacks weight on top of weight, and the face reads as an inverted triangle with a bar across it. A frame that is light at the top and fuller at the bottom does the opposite: the eye is pulled down toward the jaw, and the narrow lower face looks as though it has more to it. The bottom edge of the frame is doing most of the work, so it should be the part with presence.
Heart is confused with diamond (narrow jaw, but a narrow forehead) and with round (a soft chin). The face shape tool measures the forehead ratio and the mid-jaw width that separate the three.
Weight low, light on top. Frames that are wider or heavier at the bottom, rimless and semi-rimless frames that have no top bar to speak of, and rounded shapes that spread their weight evenly all move the emphasis downward. Thick top bars, dark oversized frames and sharp upsweeps move it up. Width should stay at or a little inside the cheekbones so the frame's widest point does not line up with the face's.
| Frame | What it is | What it fixes |
|---|---|---|
| Bottom-heavy frames | Lower rim thicker or wider than the upper | The single most direct fix for a face that carries its weight up top |
| Rimless | No frame line at all | Adds nothing at the brow and leaves the face's own proportions alone. Especially good on men |
| Semi-rimless, rim below | Framed at the bottom only | Puts the only visible line under the eyes — the reverse of a browline |
| Round | Thin, moderate size | Even weight and no top bar; the curve above a pointed chin softens it |
| Oval | Even, a little wider across the eyes | Same evenness as round with more width — keep it light and inside the cheekbones |
| Teardrop aviator | Lens widens downward, narrows on top | Naturally bottom-heavy. Choose thin metal, not thick acetate |
| Soft cat-eye, pale | Gentle upsweep, thin or light colour | Draws the eye outward to balance a narrow lower face — skip sharp dark versions |
| Light, thin frames | Any shape, pale or clear | Whatever the shape, less weight at the brow. On this face, lighter is safer |
Any frame where the lower rim is thicker or wider than the upper: inverted browlines, frames with a coloured or thicker bottom edge, and lens shapes that are wider at the bottom than the top. The single most direct fix for a top-heavy face.
No frame line at all, so nothing is added at the brow. The lenses float and the face's own proportions are left alone, with no extra weight at the top. A classic choice for this shape, and one that works especially well on men.
Rimless at the top, framed at the bottom. Puts the only visible line below the eyes, which is exactly where this face wants it. The reverse of the browline.
Round frames spread their weight evenly and have no top bar. In a thin frame and a moderate size they soften a pointed chin by adding a curve above it. Avoid very large or very dark rounds, which become a heavy block at the top.
The same evenness as round, with a little more width across the eyes. Keep the frame light in weight and the width inside the cheekbones.
The aviator is naturally bottom-heavy: the lens widens toward the bottom and narrows at the top. One of the best shapes for a heart face, in eyeglasses and sunglasses alike. Choose a thin metal frame rather than a thick acetate one.
For women, a gentle upsweep draws the eye outward, which balances a narrow lower face, as long as the frame is thin or light in colour. Skip the sharp, dark, heavy versions.
Whatever the shape, a thin frame in a light or clear colour adds less at the brow than a thick dark one. On this face, lighter is safer.
Both stores ship within the US and let you filter frames by shape, so you can go straight to the styles recommended above.
Amazon.The widest range of frames at every price, with reviews and free returns on most listings. Start from the shapes recommended above and filter by frame shape. Search frames on Amazon →
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Sunglasses are harder for this shape than eyeglasses, because they are larger and darker by default and most of the popular styles are top-heavy. Choose carefully.
The best sunglass shape for a heart face. Bottom-heavy by design.
Moderate size, thin rim. Large thick rounds add a block at the top.
Sport and fashion rimless styles work; they add nothing at the brow.
Frames described as inverted, butterfly (the wider-at-the-bottom kind), or with a coloured lower rim.
Gradient lenses that are lighter at the bottom, and frames in clear, light or tortoise rather than black.
Browline and clubmaster sunglasses, flat-top and shield styles, oversized dark squares, and sharp cat-eyes. All are heaviest at the top.
The hair advice for this shape follows the same idea: weight the bottom, calm the top. The heart face hairstyles guide covers it. How to measure the ratios by hand is in how to tell your face shape.
Frames that carry their weight low: styles wider or heavier at the bottom than the top, rimless and semi-rimless frames, round and oval shapes, and aviators. A heart-shaped face has a forehead nearly as wide as the cheekbones (about 0.96) and a narrow jaw (about 0.76), so it is top-heavy; a frame that is light at the brow and fuller below moves visual weight down toward the jaw. Thin, light-coloured frames also help because they do not add to the width at the top.
Anything heavy at the brow: browline and clubmaster styles, thick top bars, dark oversized frames that are widest at the top, and sharply upswept cat-eyes. All of them add weight and width to the part of the face that already has the most. Very wide frames are also a risk, because the widest point of the frame lines up with the widest point of the face.
Soft ones, in a light colour or a thin frame. A gentle upsweep draws the eye outward without adding much at the brow. The sharp, heavy, dark cat-eyes that suit round and oval faces add exactly the top-heavy weight this shape does not need.
Rimless or semi-rimless frames, thin metal rounds and ovals, and teardrop aviators. Searches for this shape on men are common, and the answer is unusually clear: keep the frame light at the top. A short, full beard along the jaw does more for the balance of this face than any frame, and pairs well with a lighter frame above it.
Both can have a soft chin. Heart has a forehead that is clearly wider than the jaw; round has forehead and jaw at similar widths. Measure forehead width divided by cheekbone width (heart sits near 0.96) and jaw over cheekbone (near 0.76). The tool also reads the mid-jaw width, which is the measurement that separates the two most reliably.
Heart is separated from round by the mid-jaw width and from diamond by the forehead. The scanner measures all three from a photo and tells you which shape you are closest to.
Front-facing, unobstructed, evenly lit photos work best. Your photo is analysed on your phone or computer and is never uploaded.
Your shape is a starting point. The report uses your measured proportions to explain hair and frame choices.
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Explore a sample before you decide. Your own report uses your measurements; these examples show the format, not your result.


Existing demo images. A styling simulation, not a prediction. The report includes 6 optional AI renders; each is generated on request.
Softly rectangular frames with moderate lens depth and a frame width close to the face
Excerpt from the published sampleReshape the hair silhouette with crown lift, below-jaw length, and controlled sides.